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Comment by Mike one month ago
Opeth - Pale Communion 2014
Peste Noire - L'Ordure à l'état Pur 2011
controversial album. The dark lyrics based on medieval poems
have been replaced here by political pamphlets around very
modern subjects: ecology, social fracture, civil war... The
music, quite far from their black metal roots, is an eclectic
mix of punk/rock, ska, french folk, eurodance and avant-garde
metal. Vocals alternate between male and female, clean, spoken,
growls, carnivalesque... It's a mess, but a good mess. Most
funny album I've listened in ages.
Annihilator - Feast 2013
Okay there are still a lot of fast paced thrash metal songs, but that's the trademark of Annihilator since the first day. However, this time, the band added more melodic songs ("No Surrender", "One Falls, Two Rise"), a ballad ("Perfect Angel Eyes"), even the guitar interludes are back. In the end, an enjoyable album.
Lars Eric Mattsson - Epicentre 2013
This year, he released ”Epicentre”. While following the neoclassiclly oriented ”Aurora Borealis”, ”Epicentre” does not follow up on ”Aurora Borealis”. While the preceding album was quite onesided, this one is multifacetted, as Mattsson explores a range of expressions and vistas. Thus, we are treated to tracks, like 'Cinnamon' or the swinging 'Too Late', while others, like 'No Way, No Surrender' and 'Wait for the Sunrise' as well as the heavy 'Freedom Fighters' and 'No More War' are all out prog metal attacks in the form of complexly structured flurries of passages and sections. ... -> show full review
Divided Multitude - Feed On Your Misery 2013
Compared to many of the other artists on Nightmare's roster, Divided Multitude represent the heavier end of the progressive metal gamut, without ever entering into extreme metal territory. The music on this album is also more accessible than a lot of other progressive metal is, as Divided Multitude draw extensively on heavy riffage and larger-than-life melodies as hear in power metal. Moreover, vocalist Sindre Antonsen has adopted a slightly gruff singing style akin to what you might hear on a Pertness or a Symphony X album. His singing style thus adds a further edge to the overall sound of the album.
That being said, we are dealing with progressive metal, and the Norwegians do make use of complex song structures, and there are several twists and turns as well as changes in time and tempo. In the closing track 'Reborn' – perhaps the best track on the album – the listener is even treated to dissonant chords. The band's combination of twin guitars and keyboards makes for a nicely layered and kind of epic sound, which is in nice contrast with the heavy grooves and crushing riffs also heard on the album.
I think this is a pretty solid progressive metal album, an fans of both vanilla progressive metal and prog power metal should find ”Feed on your Misery” very enjoyable.
(review originally posted at metalmusicarchives.com)
A Cosmic Trail - II: Mistrel 2013
This is not completely wrong, but there is more to the album's seven tracks than pure progressive metal. Granted, there are plenty of metal elements in the form of chucking riffs and distorted guitars accompanied by pounding drums. However, there are just as many atmospheric and mellow passages on the album as there are heavy ones, as A Cosmic Trail draws on other genres, such s jazz fusion and psychedelic rock as well as, of course, progressive rock. Much like the music on Yes' "Tales from "Tales from the Topographic Oceans", the tracks on "II: Mistral" have the form of massive auditive vistas with multiple layers and moods, ranging from the dark and bleak to the more uplifting.
This album is more than progressive metal, and it has just as much in common with the likes of Yes, Genesis, and King Crimson as it does with, way, Opeth or recent Enslaved. Still, there are enough metal elements on this album that, if you like progressive rock and also happen to be a metalhead, there should be plenty of good stuff for you on "II: Mistral".
(review originally posted at metalmusicarchives.com)
Mayfair - Schlage Mein Herz, Schlage 2013
The title track 'Schlage men Herz, Schlage' is a quite psychedelic affair with esoteric mildly distorted guitars and …, while 'Firestorm' is atmospheric and features some elements akin to alternative rock. The alternative mode and the atmospheric mood also characterizes the heavy and brooding 'Wwwrong', which also offers a sense of dark psychedelia as well as some more solid merallic riffage towards the end. 'Drei Jahre Zurück' combines minimalistic gutiar figures with driving, but melancholic, metallic pumping riffs. 'Abendp_rno' (I think it's Abendporno', which mean 'porno in the evening) combines metallic drumming with punky riffs and, 'Island' is a nother heavy and darkly psychedelic track with simpel clean guitars overlaid on top of atmospheric and noisy guitars in the background – not unlike what you might hear in drone metal or atmospheric and depressive black metal (without this song sounding at all like those two genres). 'Du Allein' is similarly dark, at time reminding me of a blend of U2 at their darkest and Paradise Lost at their lightest (check out the chorus). 'Tric Trac' is in the ... -> show full review
Anton Johansson's Galahad Suite - Galahad Suite 2013
Being a concept album that draws on the aesthetics of heavy metal and hard rock, we are essentially dealing with a progressive metal release here. Themes are repeated through out the album, and each track is essentially a movement, with the first track serving as an overture, or prelude, of sorts, and its theme being repeated in the last track. Now you might think that you are in for some complex and epic music akin to Dream Theater's ”A Change of Season” or ”Scenes from a Memory”, but, while the structure of the album in its entirety might be complex, the music itself is by and large pretty straightforward. We are dealing with musc the evolves around rocking riffs combined with softer passages (which in itself makes for interesting album dynamics). We are more in the territory of Queensrÿche and Persona Non Grata (or Rainbow at their most progressive) – that is, very accessible progressive metal which has both commercial appeal and sophistication.
A good example of this is 'Somewhere – The Quest', which combines an uplifting drive (and, frankly, some pretty awesome guitar riffs) with an AOR sensibility and at the same time keyboard figures akin to more Dream Theater-oriented progressive metal. 'Happy – The Incident' features the same type of keyboard, but combines a more funky drive with power ... -> show full review
Fates Warning - Darkness in a Different Light 2013
Stylistically, this album falls somewhere between “Disconnected” and “FWX”, which are probably my least favorite Fates Warning albums, but in combining these albums, “Darkness in a Different Light” rises above these two albums, taking the best of both and moving it in a direction of its own. The songs on the album are, for progressive metal standards, pretty short and relatively straightforward at first listen. But after a couple of listens, the listener will discover little details that are more reminiscent of the bands legendary early 90s output. This is largely due to the return to the two-guitarists set-up, which Fates Warning exploit in a number of interesting ways on this album.
The opening track opens with a frantic wasp-like guitar figure on top of a groovy guitar riff and takes the listener – in true Rush-style – through a couple of different passages before the verse kicks in. The verse is a heavy and groovy affair with an acoustic guitar overlaid on top. Already here, the listener is reminded of some of the aesthetics of “Parallels” and “Inside Out” which made efficient use of the combination of distorted and clean guitars. But, still, what we hear here is not quite identical to those two albums, as Fates Warning pursue ... -> show full review
Carcass - Surgical Steel 2013
Having reunited a couple of times for gigs and festivals, Carcass eventually was reestablished as a band proper and released the much expected “Surgical Steel” in 2013. And, boy, this must be among the most kick-ass comebacks of any rock band in the history of music.
After a hyper-melodic intro in the form of '1985' and its rich Iron Maiden-esque twin guitar harmonies, the album explodes into the aptly titled 'Thrasher's Abbatoir' which combines thrashy riffage (some of which has the same compact quality as Exodus' trademark riffs had back in the day), brief and explosive blastbeats, and old school death metal riffage as well as some more hardcorish elements. The uptempo ... -> show full review
Top Prog LPs of 2014